There was a time when to debate if the last film by Zack Snyder was well emitted enough warmth to revive a dead Kryptonian. But the evidence is as clear as an CGI sunset on a cornfield that these conversations no longer arrive at the same degree. After his franchise “Army of the Dead”Snyder had another chance with “Rebel Moon” on Netflix, which has become an excellent example of all that his devoted fans loved, but whoever outside the group could not bear. Above all, the two chapters – “a child of fire” and “The Scargiver” – won 22% And 16% on rotten tomatoesrespectively. The extended cuts listed in R of the two films received slightly better criticism (although still not excellent), but that was not enough to remove the public, because no entry won enough visualization figures to enter the top 10 of the Streamer.

It is clear that something should change, and Snyder could already be aware of it, since he has two projects in the pipeline which do not have a CaPé crusader or an extraterrestrial warlord in sight. One is the film MMA entitled “Brawler”, while the other is a story full of action in the LAPD. Whatever these potential projects, could now be the time for Snyder to go to the universe of someone else? Well, from our ideas “if wild, he could work well”, we cannot think of any better partnership to turn Hollywood on his head than to put Zack Snyder in a room with Taylor Sheridan and to see what is going on.

By putting aside his love for the gods and the monsters, the best route for Snyder to borrow could be to return to earth and to engage with old -fashioned heroes – the stoic and gruff genre that follow unwritten rules to do good and sink on this subject for centuries after having applied them. These are the types with which Snyder connected so well in “300”, “Watchmen” and even parts of the DCEU. It is also the kind of characters who populate the stories of Taylor Sheridan who are installed in the West, which is a place of land, Snyder himself has briefly planned to visit in his own way.

In 2021, Snyder was about to take the legend of King Arthur and place it in the West West (via Cbr). Fantastic worlds like this could be those of Snyder who love to play; The problem is that it does not work very well when it is in it. Sheridan, on the other hand, continued Western stories with straight laces at different times and has achieved each time.

We do not ask Sheridan to consider putting the keys of the Dutton “Yellowstone” Ranch, but also allowing Snyder to tackle the larger and more action on the universes that the poster of Paramount has built. Perhaps something similar to “1883”, where the war factions and hard terrains have the kind of nightmares that heroes have to face. If it is not a good adjustment, there is also a story forgotten by Sheridan which seems to be drawn directly from the brain of Zack Snyder involving secret agents and Greek gods who have not been affected for more than a decade.

While Zack Snyder may have a hard time keeping a world of his own rotation, Taylor Sheridan seems to grow. With Five “Yellowstone” benefits in productionAnd the ongoing seasons of “Landman” and “Tulsa King”, the agreement of the writer / director with Paramount turns out to be a very successful investment. Under all these important articles on the route, however, there is the neglected television program neglected “Olympus” which seems perfectly adapted to Snyder.

Corrated by Peter Berg, who was originally to lead, “Olympus” follows a soldier who became Spy who discovers that he is the last descendant remaining from the Greek gods and the last hope of humanity. No other progress has been made on the company which, as reported Deadlinewas quickly snatched by Fox in 2012 and has been sleeping since. This forgotten story of modern heroes with a mythical turn could be the ideal story for Snyder to explore and serve as a decisive test for him to assess the interest for a world manufactured by Sheridan.

Nor is it a wild idea that is the basis of Snyder. We want the director’s visual flair to find a house, just in a better area than the place where he was recently, and couples could establish another Hollywood double act for ages. Scorsese had Schrader, Spielberg had Koepp and the sisters were each other. Perhaps a director who worked better on someone else’s page and a writer whose best job has been in the hands of someone else could find a creative kinship and create his own action full of action if they did.