40 years after the parody of “Star Wars” “Spaceball” has entered our atmosphere, fans will be honored with what has been described as “a non-non-prequisite non-repoint suite, the second part, but with reboot elements franchise expansion film”, also known as “Spaceballs 2.” Creator Mel Brooks and Star Bill Pullman have already been announced as returning to the franchise, but the real excitement is that Rick Moranis will make his long -awaited return By resuming its role as a black helmet. Moranis was an unstoppable force in the 1980s and early 1990s, but chose to focus on the education of his children after the premature death of his wife, Anne. Although Moranis did not stop acting completely (and he even released a comedy album nominated in Grammy), he certainly did not happen with the same visibility as his peak.

“Spaceballs 2” is undoubtedly the deepest project on which he signed during the decades, which has ecstatic moviegoers at the prospect of a “morantissance”, including myself. Of course, I only want my Forever Seymour Krelborn to come back to the big screen if it is he Want, but I am nothing except a fantastic Booker with regard to my favorite artists. If this new adventure in the world of live feature films allows Rick Moranis of the possibility, here are five directors who certainly know how to welcome him with open arms.

Given how Daniels (Daniel Kwan and Daniel Scheinert) resurrected the career of Ke Huy Quan And helped the consumer public finally understand that Michelle Yeoh has been one of the best performers working in industry for decades thanks to their “Everything Everything everywhere at the same time”, it seems to be obvious for Rick Moranis to join the forces of the filmmaker. Daniels’ filmography has a very particular feeling of absurd humor mixed with emotional depth, giving artists a space to explore both comedy and drama.

It is an avenue where Moranis thrives, with a natural talent for comedy but a level of sweetness which simmer under the surface. No matter how much the premise of a Daniels film, there is always a significant narration and focused on the characters at stake. Without forgetting that they are known to be collaborative and inventive filmmakers, which is the ideal bridge in the industry for a person with a work story in Sketch Comedy. I guarantee that the strange character Moranis and Daniels could find together would be a stopwatch.

While Zach Cregger is currently the new warmest voice of horror, he is also a creative who cut his teeth with the sketch group “The Whitet Kids that you know”. He, like his colleague actor who has become-working-director, Jordan Peele, understands the structural relationship between comedy and horror, and would be an excellent person to put Moranis in his first horror film. The closest thing that Moranis ever had come to the genre with Immaculate by Frank Oz “Little Shop of Horrors”, “ But he would be at home in the nightmarish spirit of the guy who gave us “barbaric” and the “weapons” to come. Given the public’s love for Moranis, he would be an instantly empathetic protagonist that the public would enlist to survive, but to reverse the inherent confidence inspired by his sparkling eyes and his sweet smile and let him play a real patient would be the legend of horror.

The reason why the horror of “barbarian” was so successful was that Cregger is a master of the wrong direction, and having Moranis involved in a project would add a meta-layer to everything that history required. Would we expect him to be the right guy or plan the heel tour, awareness Is that always the right guy? This notion preconceived alone already does a lot of heavy loads. Or maybe there is no subversion at all and it is pure nightmarish fuel of the jump? Anyway, it is a director of director / actor of all our dreams.

The creaky comedy has exploded in popularity in recent years, and I would say that no one does it like Emma Seligman. Like Moranis, Seligman was born and grew up in Toronto before settling in New York, there is therefore an inherent kinship between their lived experiences. There is a good chance that Seligman get Moranis as he will do get His sense of humor and his comic styles. His revolutionary film, “Shiva Baby”, is an exercise in dynamite in the creaky comedy, while Danielle de Rachel Sennott is immersed in the emotional turbulence of a Shiva where participants include her well -intentioned parents but disappointed Joel (Fred Melamed) and Debbie (Polly drapes his wife Kim (Dianna Agron), and a community of friends and of family that push, push and put pressure on Danielle about her fate in life.

I need to see Moranis in this kind of pressure transport environment, especially if he is the pressure on a protagonist. But if this kind of creaky comedy does not use him, there is always the limit wacky satire of something like “stockings”, Where Moranis could swing for fences and play a character as big as he wishes. There are not many modern directors who make films where a character like Louis Tully in “Ghostbusters” could form exist, but Seligman is absolutely.

Most people know the Jefferson cord for its dramatic winner of an Oscars “American Fiction”, but the former editor-in-chief of Gawker who has become a writer-director to one of the most interesting curriculum vitae of anyone working in Hollywood. Before his revolutionary feature film, Jefferson was a writer for “The Nightly Show with Larry Wilmore”, “Master of None”, “The Good Place”, “Watchmen”, “Station Eleven”, and was even a consultant on “succession” by HBO. Jefferson has a solid understanding of the way in which traditional comedy has evolved since Moranis came out of the eye of the public, and fortunately he loves characters with sweet manipulates taken in absurd situations. It also means that if Moranis wanted to focus on more dramatic work, Jefferson could also provide him with this outing.

Because Moranis became famous at a time when actors did not often have the possibility of diversifying beyond the roles of typast, there is a chance that he could want his return included something that feels a little out of character. A project like “Station Eleven”, which is equally dark and hopeful, could call it after all these years. Jefferson’s work, anyway, always tries to say something important in life and incorporates the comedy to get the message to the public. Given The reason for Moranis’ decision to get out of the spotlight First, the types of projects on which Jefferson is drawn could be a perfect adjustment.

Wes Anderson is known for having chosen a list of directory of frequent collaborators when creating his films, but he is also a genius in the art of the whole casting and has an exquisite taste in the actors of the character. One of the best examples of this was when he caught the frequent the guest actor of Christopher Bob Balaban for “Moonrise Kingdom” and brought him back for “Isle of Dogs”, “The French Dispatch” and “Asteroid City”. Anderson has a specific impasse inherent in his comedy scripts, and you need a real master of craftsmanship to make a meal of his stupid dialogue. Moranis is a god in this department, and considering He had to sing in slow motion to get his timing with the puppet Audrey II in “Little Shop of horrors”, “ The clarification required for the cinematography and the timing of Anderson is certainly found in his wheelhouse.

As for the characters? The sky is the limit with Anderson. He could have moranis looking at his closest antics as performing performance as “The Flontstones” or “Honey, I have shrunk children”, or he could play against the guy as he did in “Streets of Fire”. Anderson love To launch actors like Michael Cera in “The Phoenic Scheme” or Jason Schwartzman in “Rushmore”, which resembles unpretentious Nerds to play romantic interests very sought after. This is undoubtedly something that Moranis could succeed with ease, and given his history acting with familiar faces in SCTV, perhaps a troop of frequent collaborators would be sufficient to bring it back to act on the screen.